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　見證了1600多年的郡縣變遷史，深圳南頭古城以歷史為基底，創(chuàng)造了一個(gè)包容多元文化的文化創(chuàng)意街區(qū)。Mario來到這裏，向深圳木偶藝術(shù)劇院青年木偶演員柯遠(yuǎn)達(dá)拜師，開啟了一段深圳版「木偶奇遇記」。

　Having witnessed the history of county changes for more than 1,600 years, Nantou Ancient Town in Shenzhen has created a cultural and creative district that embraces diverse cultures based on history. Mario came here and became an apprentice to Ke Yuanda, a young puppet actor from Shenzhen Puppet Art Theater, and started a Shenzhen version of "The Adventures of Pinocchio".

　栩栩如生的木偶，從一個(gè)木頭，經(jīng)過木偶非遺製作人的刻刀，賦予它靈魂，成為關(guān)羽、張飛、鍾馗、小沙彌……歷史中的人物穿越到現(xiàn)代，藉助木偶演員的一提一捻，向我們緩緩走來。

　The lifelike puppets, crafted from a simple piece of wood, are brought to life by the chisel of a traditional puppet master, giving them a soul. They transform into figures like Guan Yu, Zhang Fei, Zhong Kui, and a little monk... It's as if they have crossed time, with the puppet performers gently bringing them to life with every lift and movement.

　無論是提線木偶還是杖頭木偶，要讓它們跟著演員的指令行事，可不是一件容易的事。按柯遠(yuǎn)達(dá)的話說就是，做到「人偶合一」的時(shí)候，就出師了。這一次，Mario的木偶學(xué)藝之旅，柯遠(yuǎn)達(dá)的評價(jià)是：達(dá)到了60-70%的效果，完美收官。

　Whether it’s a string puppet or a stick puppet, making them follow the actor’s instructions is not that easy. As Ke Yuanda puts it, achieving "unity between the person and the puppet" means the puppet is ready to perform. This time, Mario’s puppet learning journey was evaluated by Ke Yuanda as achieving 60-70% effectiveness—a perfect conclusion.

　來源：深圳新聞網(wǎng)

　出鏡：Mario（特邀）

　策劃：李丹璐

　腳本/導(dǎo)演：閻思遠(yuǎn)

　文案：張玲 楊佳慧

　攝像：閻思遠(yuǎn) 張宇傑

　攝影：張玲 李丹璐

　翻譯：趙文碩 楊佳慧

　封面設(shè)計(jì)：李丹璐